Ahead of the screening of Alan Gilsenan’s Ghosts of Baggotonia on RTE One at 9.30pm this Thursday evening, we revisit our review of the film from last December.
“Shot during those strange days of the pandemic lock-down, wandering the deserted streets of my childhood with my Leica Monochrome camera – it was both a retrieval of unreliable personal memories and a meditation of the remarkable ghosts of a mostly forgotten era,” is how director Alan Gilsenan describes his gentle elegiac meditation on those ghosts of Baggatonia and his own relationship with it.
Using photographs by the artist Nevill Johnson along with extracts and readings by the pillars of that era such as Behan, Kavanagh, Beckett and Kinsella along with the resurrection of some lesser known names such as Blanaid Salkeld, Ethna MacCarthy and John Jordan, Gilsenan’s work is an elegant and captivating brushstroke through social history in the city delicately underscored by compositions by Brian Crosby.
We hear about Archbishop McQuaid but also places such as the Pike Theatre on Herbert Place and the Catacombs night club. We hear a woman recollecting about not carrying about the grotty existence but caring more about, “what you’d remember and the songs and the fights and the romances – just being young”. A slight quibble was being uncertain who delivered certain audio excepts such as this one.
Of course, alcohol played its part with some sharp observations concerning “serious drinkers with literary leanings” and when “the snug became the tomb.” There is one particularly vulgar encounter between Kavanagh and a young lady which shows the boorish misogyny of the times.
Like a visual mash-up of Bowman and Sunday Miscellany, Gilsenan delivers a psycho-geographic slice of life, one which is receding from view and memory.
Words: Michael McDermott
Ghosts of Baggotonia
Director: Alan Gilsenan
Release Date: December 9th
